Showing posts with label Clint Eastwood. Show all posts
Showing posts with label Clint Eastwood. Show all posts

August 18, 2011

Queer Issue: New J. Edgar Hoover Biopic Will Make Former FBI Director Gay.

I came across this recently on Bilerico, and apparently there will be a film that will make the former FBI director gay. Currently Clint Eastwood is attached to direct and Leonardo DiCaprio, Judi Dench, and Arnie Hammer are going to be starring it. Dustin Lance Black is the screenwriter.

I actually have a problem about this. I've written before about how Hollywood will straighten out anything it can get it's hands on. The thing is, this situation the exact opposite, as there is very little substantial evidence that Hoover is actually gay or into crossdressing. Susan Rosenstiel, the one who originally claimed to have witnessed Hoover wearing a dress, served time for perjuring herself and had established motivation for defaming Hoover. Furthermore, the relationship Hoover had with Clyde Tolson has been speculated that it was romantic/sexual in nature, but there is no hard evidence that their relationship was anything but that of close friends.

Here's why I have a problem. With all the well known queer historical figures who have made significant and positive contributions to society, why focus on on an individual where the evidence is not exactly beyond a shadow of reasonable doubt and whose contributions to America consisted of aggressively persecution non-criminal groups and individuals such as Martin Luther King Jr. He also actively denied the existence of the Mafia and organized crime.

In short, what I want is a movie about actual legitimate queer historical figures, such as Sylvia Rivera, Bayard Rustin, Ruth C. Ellis, Alan Turing, or Harry Hay, Socrates, Plato, Solon of Athens, Michel Foucault, or James Dean. There are ultimately so many to choose from, that I fail to see the point of a movie about a historical figure who in all probability was not gay at all.

February 12, 2011

Queer Review: Midnight in the Garden of Good and Evil (1997)

Midnight in the Garden of Good and Evil
Director: Clint Eastwood
Writer: John Lee Hancock based upon the novel by John Berendt
Cast: John Cusack, Kevin Spacey, Jack Thompson, Irma P. Hall, Lady Chablis, Jude Law, Alison Eastwood, Paul Hipp, Geoffrey Lewis

Midnight in the Garden of Good and Evil is a slow moving character study, that is if we consider the place of Savannah, Georgia to be a character in of itself. The movie is based upon the book of the same title by John Berendt, which tells the story of his experiences in the town during a high profile murder investigation.

Jim Williams (Kevin Spacey) is a wealthy and closeted gay man, whose annual high profile Christmas party is being covered by John Kelso (John Cusack) for a magazine article that Kelso was commissioned to write. Shortly before Kelso was planning to fly back to New York, a shocking event in the form of Williams shooting and killing his young lover Billy Hanson (Jude Law) - makes Kelso decide to stay and investigate these events in the hopes of writing a book. Williams claims that he acted in self defense, but that does not prevent a murder trial from commencing where Williams sexual orientation could sway a jury towards rendering a guilty verdict.

While John Kelso aids Williams defense teams, he meets and gets to know Savannah's colorful cast of characters. There's Lady Chablis (played by herself) a flamboyant female transgendered performer, Minerva (Irma P. Hall) a mysterious Voodoo practitioner, Joe Odom (Paul Hipp) a high class squatter, and Luther Driggers (Geoffrey Lewis) a man who keeps flies as pets and carries a bottle that he claims contains enough poison to kill everyone in Savannah. Kelso also meets and woos Mandy Nicholls (Alison Eastwood) a character not found in the novel.

Midnight in the Garden of Good and Evil moves slowly, arguably too slowly at times. Eastwood directs with a steady hand, establishing a moody atmosphere and capably depicts the colorful cast of characters. The film's stumbling block comes in the final third when the plot gets dragged down with the details of Williams trial. The film's strongest sections are where Kelso meets and gets to know Savannah's colorful citizenry. Once the grand jury has delivered the indictment, the film becomes moribund in familiar movie trial tropes and trivial details.

Acting wise, Lady Chablis is a standout, providing a memorably sassy performance. Kevin Spacey is also very good playing a rich Southern dandy with a subtle flamboyance and just the right amount of ambiguity. John Cusack tends to have trouble distinguishing himself amongst the more colorful cast, but that is not a problem as the role does not require him to do much. His character is mostly a witness to the events and it is not until later on in the proceedings that he becomes directly involved.

Overall, I feel confident recommending Midnight in the Garden of Good and Evil in spite of the flawed later sections as it does not entirely obscure the films strengths. This is a pleasant movie with interesting characters and that also touches upon some deeper themes.