ParaNorman
Directors: Chris Butler and Sam Fell
Writer: Chris Butler
Cast: Kodi Smit-McPhee, Tucker Albrizzi, Anna Kendrick, Casey Affleck, Christopher Mintz-Plasse, Leslie Mann, Jeff Garlin, Elaine Stritch, Bernard Hill, Jodelle Ferland, John Goodman
Overview
A groundbreaking children's film about the dangers of persecuting people simply for being different, ParaNorman also manages to be a fun and entertaining adventure for the whole family, whether they be young, old, or recently dead.
Synopsis
Norman (Kodi-Smit-McPhee) is blessed with the unusual ability to see dead people. Except everyone around him sees this ability not as a blessing but as a curse. Bullied at school, he becomes friends with Neil (Tucker Albrizzi) an overweight lug who appreciates, rather than fears Norman's ability to see dead people. When Norman is approached by his Uncle, Mr. Prenderghast (John Goodman) who also shares his ability, he is told by his uncle that the birthday of the accursed town witch who was executed 200 years ago is approaching. It turns out that Norman must prevent the witch from raising an army of the dead. But when things go wrong, Norman and his friends find themselves being pursued by an army of zombies. In order to save their town they must find a way to end the witches curse permanently.
The Queering
In 1933 Franklin D. Roosevelt argued that "The only thing we have to fear is fear itself." This could be summed up to be the main theme of ParaNorman which lacks a traditional villain. There are several plot twists that reveal, bit by bit, that the different groups of "villains" that appear to pose the greatest threat at the beginning, are not what they initially appear to be. In the end, the greatest danger presented in the film comes from those characters who give into fear and hatred. There is also a rather brief but interesting moment where a car radio has the news media trying to fan the flames of fear during the height of a crisis, so one character changes the channel to easy listening.
Norman's condition functions as an obvious metaphor for being gay. He is referred to as having been "born that way" and bullied at school for it. His father and other family members go out of their way to try to encourage Norman to stop seeing dead people and just try to be "normal".
In addition to this subtext, ParaNorman also contains a groundbreaking gay character, Neil's older brother Mitch is explicitly revealed to have a boyfriend. This is groundbreaking in two ways. One is due to the almost complete absence of queer identified youth in cinema in general. The second is due to the total absence of LGBTQ characters in mainstream films aimed at kids. As it is, Mitch is the first (that I am aware of) gay identified youth in a mainstream film aimed at kids.
On the technical side of things, the stop motion animation for ParaNorman is first rate. It was be filmed in 3D, but I saw the 2D version and did not feel that I was missing out on anything. The voice work is also well done and there are no recognizable celebrity voices to distract the audience from the story. The humor is fairly overt for the macabre subject matter, with some truly clever moments such as the use of the theme from Halloween that turns out to be Norman's cell phone ringer or the way the filmmakers reveal that Norman's grandmother is actually dead.
Overall, an enjoyable flick with some well done animation and interesting subtexts to go along with a nicely told story.
Recommendation
Anyone normal or para-normal should see this film.
The Rating
*** out of ****
Trailer
Want to find a review of a particular work? Check out the Title Index, the archive of all reviews posted listed alphabetically.
Showing posts with label queer youth. Show all posts
Showing posts with label queer youth. Show all posts
September 2, 2012
July 17, 2012
Queer Issue: Why the BSA's "Don't Ask, Don't Tell" Policy Matters
Everybody should know by now of the homophobic "Don't Ask, Don't Tell" policy held by the Boy Scouts of America, so I won't spend time rehashing the history. Today the BSA put out a press release, describing a secret committee that they put together for the purpose of "evaluating" said policy. In short, the discriminatory "Don't Ask, Don't Tell" is here to stay.
There are those, such as Alvin McEwen, who will argue that the policy does not matter, that it is not worth the LGBTQ community fighting. To this I must strongly disagree. The BSA's policy does matter and it does have a negative impact on the LGBTQ community, particularly the youth.
I was a member of the Scouting movement until I turned 18. I came within a few merit badges short of earning the rank of Eagle Scout, which less than 2 percent of all scouts who enrolled in the program complete. In Troop 16 I eventually ended up serving as Senior Patrol Leader, which is essentially the youth leader of the troop. I was also inducted into the Order of the Arrow, Boy Scouts honor society.
Even though as a youth I had known for years about my sexual orientation, I stayed in the closet until I turned 18. My reasoning for doing so had a great deal to do with the Boy Scout's "Don't Ask, Don't Tell" policy.
Hiding ones identity always comes with a cost. During my senior year of high school, I worked diligently on completing the final requirements for the rank of Eagle Scout. Deep down, part of me wanted to spite the BSA. To say, "Ha, Ha, you're wrong, we are just as good as you."
It was during my senior year of high school that the hiding took it's toll. The mental dissonance that comes from being told a constant message of "you are inferior, get lost freak" from all authorities wore at me until I finally broke.
While I was in the middle of working on my Eagle Scout Project (which consisted of repairing an old storage shed at the Methodist Church I attended) I attempted to commit suicide.
On the second day of the project, while my mom went to church, I played hookie so I could have some time alone. I got a knife from the kitchen and attempted to slice my wrists.
If there is one thing I am really grateful for being lousy at, it is committing suicide. My mom came home to find me on the kitchen floor, knife in hand. I ended up wearing a baggy long sleeved shirt to cover up the scratches I had made on my wrist. Somehow I managed to complete the Eagle Project, although I would later be unable to finish the requirements for the Eagle Rank itself.
Which brings me to the crux of the matter. No one can tell me that the BSA's policy is not harmful to LGBTQ youth. No one can claim that the message it sends is not without consequences.
While there are signs that things may actually be getting better, LGBTQ youth continue to face bullying and harrassment based upon their sexual orientation. There is no doubt in my mind that the BSA's policy encourages and empowers the bullies in these situations.
Consider as well, the influence the BSA holds in rural areas (such as Upstate New York where I grew up) where LGBTQ organizations are going to be few and far between. It is vital that LGBTQ youth have access to organizations that do tell them that they matter, that their lives are no less than those of their straight counterparts.
When an organization as influential as the BSA tells LGBTQ youth the opposite, that their lives mean less and that it is okay to discriminate based upon sexual orientation, something has to be done.
I'm not going to argue that the LGBTQ community should work towards repealing the BSA "Don't Ask, Don't Tell" policy. That's not the issue I want to bring up. But we cannot allow the BSA to go unchallenged in this issue. Whether this means transforming the BSA into an organization that does not discriminate or by providing viable alternatives in every community across the nation, is another matter.
What does matter is that the BSA's policy exacts a steep price and it is the youth of our community who pay it.
There are those, such as Alvin McEwen, who will argue that the policy does not matter, that it is not worth the LGBTQ community fighting. To this I must strongly disagree. The BSA's policy does matter and it does have a negative impact on the LGBTQ community, particularly the youth.
I was a member of the Scouting movement until I turned 18. I came within a few merit badges short of earning the rank of Eagle Scout, which less than 2 percent of all scouts who enrolled in the program complete. In Troop 16 I eventually ended up serving as Senior Patrol Leader, which is essentially the youth leader of the troop. I was also inducted into the Order of the Arrow, Boy Scouts honor society.
Even though as a youth I had known for years about my sexual orientation, I stayed in the closet until I turned 18. My reasoning for doing so had a great deal to do with the Boy Scout's "Don't Ask, Don't Tell" policy.
Hiding ones identity always comes with a cost. During my senior year of high school, I worked diligently on completing the final requirements for the rank of Eagle Scout. Deep down, part of me wanted to spite the BSA. To say, "Ha, Ha, you're wrong, we are just as good as you."
It was during my senior year of high school that the hiding took it's toll. The mental dissonance that comes from being told a constant message of "you are inferior, get lost freak" from all authorities wore at me until I finally broke.
While I was in the middle of working on my Eagle Scout Project (which consisted of repairing an old storage shed at the Methodist Church I attended) I attempted to commit suicide.
On the second day of the project, while my mom went to church, I played hookie so I could have some time alone. I got a knife from the kitchen and attempted to slice my wrists.
If there is one thing I am really grateful for being lousy at, it is committing suicide. My mom came home to find me on the kitchen floor, knife in hand. I ended up wearing a baggy long sleeved shirt to cover up the scratches I had made on my wrist. Somehow I managed to complete the Eagle Project, although I would later be unable to finish the requirements for the Eagle Rank itself.
Which brings me to the crux of the matter. No one can tell me that the BSA's policy is not harmful to LGBTQ youth. No one can claim that the message it sends is not without consequences.
While there are signs that things may actually be getting better, LGBTQ youth continue to face bullying and harrassment based upon their sexual orientation. There is no doubt in my mind that the BSA's policy encourages and empowers the bullies in these situations.
Consider as well, the influence the BSA holds in rural areas (such as Upstate New York where I grew up) where LGBTQ organizations are going to be few and far between. It is vital that LGBTQ youth have access to organizations that do tell them that they matter, that their lives are no less than those of their straight counterparts.
When an organization as influential as the BSA tells LGBTQ youth the opposite, that their lives mean less and that it is okay to discriminate based upon sexual orientation, something has to be done.
I'm not going to argue that the LGBTQ community should work towards repealing the BSA "Don't Ask, Don't Tell" policy. That's not the issue I want to bring up. But we cannot allow the BSA to go unchallenged in this issue. Whether this means transforming the BSA into an organization that does not discriminate or by providing viable alternatives in every community across the nation, is another matter.
What does matter is that the BSA's policy exacts a steep price and it is the youth of our community who pay it.
September 12, 2011
Queer Issue: Hey Hollywood! Where are the Queer Youth?
I recently came across this excellent article I am Not a Secondary Character: Queer Kids in YA, and Why We Need to Do Better at Muse Rising, and found myself thinking, what about films? Where are the stories of queer youth in cinema? I found myself looking back over the 90+ films I had reviewed here in order to figure out how many of them featured queer youth. Let me warn my readers ahead of time, the results are not going to be pretty.
Basically, I found 6 films I had reviewed that had queer youth characters. They are: Another Gay Movie, But I'm a Cheerleader, Die, Mommie, Die!, Easy A, I Now Pronounce You Chuck and Larry, and lastly, 50 Ways of Saying Fabulous, which I saw but never wrote a review of.
Really? Out of those, Another Gay Movie is just awful, But I'm a Cheerleader and 50 Ways of Saying Fabulous could hold competitions for "Most Mediocre Film Of All", and I Now Pronounce You Chuck and Larry is borderline homophobic. Only Die, Mommie, Die! and Easy A are any good. Of those last two though, the gay youth character is secondary.
But, I told myself, can that be all? Seriously? Is that it? After all the screaming by Right Wing Evangelicals about the Evils of Hollywood and their Homosexual Agenda to use radical films to recruit our youth into making America A Gay Commie Hell, I can only find 6 films that feature queer youth characters? Hollywood, really, you're not keeping up with your yearly quota! Remember the plan!
In any case, I did some searching through Netflix and the index page for Gay Celluloid and came up with the following titles as being described or appearing to have queer youth characters:
Wild Reeds
Summer Storm
Another Gay Sequel
Bowser Makes a Movie
D.E.B.S
Boy Crush
The Incredibly True Adventures of 2 Girls in Love
Ma Vie En Rose
Beautiful Thing
Europa Europa
Saved!
You Are Not Alone
Whole New Thing
Twist
My Summer of Love
Billy Elliot
Wild Tigers I Have Known
The Curiosity of Chance
You'll Get Over It
Ma Vraie Vie à Rouen
Glue
So that makes 21 titles. Now together with the previous 6 that's a grand total of 27, which is still pathetic. Several of these are notable or I've at least heard good things about them, such as Europa Europa, My Summer of Love, Billy Elliot, and Ma Vie En Rose. But in any case, how many queer youth will have even heard of these movies or have access to them?
I mean seriously, Hollywood, you are way behind schedule.
Apparently, if you are a Hollywood, you are a well adjusted adult or never bother figuring out your sexual orientation until you are in college or middle aged. Which is sad, as we owe our queer youth better than that.
I am somewhat at a loss to explain this phenomenon. I can point fingers at the now defunct Hays Code and the hypocritical ways that the MPAA rates queer movies with much harsher standards but I think goes a little bit deeper than that. For all those who claim that that Hollywood is some sort of pusher of liberal propaganda, I think the evidence often goes the other way. In this instance, it is the almost complete lack of queer youth characters on film.
Let's be frank, all companies that make movies exist to make money. It does not matter if it is an independent company or one of the big mainstream conglomerates, they only exist for the purpose of making a profit. However, I do not see ticket sales being an issue here. Why? Because Hollywood markets and makes most of it's movies off of teens, who all things considered, are probably much less likely to shun a movie with queer content. Furthermore, if studios are worried about offending homophobic groups so much, I would like to point out that the resulting controversy and protests are probably more likely to boost ticket sales, than to drive people away. In fact, I would bet that the more authority figures that will tell a teenager not to see a movie or film, the more likely that teen will go the extra mile to seek them out. It's also worth noting the success of crap like the The Da Vinci Code, which was was widely protested by the Catholic League when it was released? (Although to be fair, I never saw it after having read the god awful Dan Brown novel it was based upon).
Nope, what I think are the driving force behind this glaring absence is simply cowardice. There is no reason, financial or otherwise, that should cause producers to shy away from
There is another matter that makes this even more distressing. In the past year, the issue of suicide among queer youth has been brought to the national spotlight. While I would not argue that the lack of queer youth characters on film or in books is the driving force behind the disproportionaly high suicide rate among LGBTQIA youth, I cannot imagine that it helps. In fact, a lack of general media portrayals will only help to further the impression that being GLBTQIA is abnormal and therefore heighten feelings of isolation amongst queer youth. This in turn, can only worsen an already serious problem. What makes this situation further depressing is that is only likely to get worse. The tepid trickle that exists now will probably come to a complete stop as the last gasps of independent cinema, which has been slowly strangled over the past decade, are breathed.
Basically, I found 6 films I had reviewed that had queer youth characters. They are: Another Gay Movie, But I'm a Cheerleader, Die, Mommie, Die!, Easy A, I Now Pronounce You Chuck and Larry, and lastly, 50 Ways of Saying Fabulous, which I saw but never wrote a review of.
Really? Out of those, Another Gay Movie is just awful, But I'm a Cheerleader and 50 Ways of Saying Fabulous could hold competitions for "Most Mediocre Film Of All", and I Now Pronounce You Chuck and Larry is borderline homophobic. Only Die, Mommie, Die! and Easy A are any good. Of those last two though, the gay youth character is secondary.
But, I told myself, can that be all? Seriously? Is that it? After all the screaming by Right Wing Evangelicals about the Evils of Hollywood and their Homosexual Agenda to use radical films to recruit our youth into making America A Gay Commie Hell, I can only find 6 films that feature queer youth characters? Hollywood, really, you're not keeping up with your yearly quota! Remember the plan!
In any case, I did some searching through Netflix and the index page for Gay Celluloid and came up with the following titles as being described or appearing to have queer youth characters:
Wild Reeds
Summer Storm
Another Gay Sequel
Bowser Makes a Movie
D.E.B.S
Boy Crush
The Incredibly True Adventures of 2 Girls in Love
Ma Vie En Rose
Beautiful Thing
Europa Europa
Saved!
You Are Not Alone
Whole New Thing
Twist
My Summer of Love
Billy Elliot
Wild Tigers I Have Known
The Curiosity of Chance
You'll Get Over It
Ma Vraie Vie à Rouen
Glue
So that makes 21 titles. Now together with the previous 6 that's a grand total of 27, which is still pathetic. Several of these are notable or I've at least heard good things about them, such as Europa Europa, My Summer of Love, Billy Elliot, and Ma Vie En Rose. But in any case, how many queer youth will have even heard of these movies or have access to them?
I mean seriously, Hollywood, you are way behind schedule.
Apparently, if you are a Hollywood, you are a well adjusted adult or never bother figuring out your sexual orientation until you are in college or middle aged. Which is sad, as we owe our queer youth better than that.
I am somewhat at a loss to explain this phenomenon. I can point fingers at the now defunct Hays Code and the hypocritical ways that the MPAA rates queer movies with much harsher standards but I think goes a little bit deeper than that. For all those who claim that that Hollywood is some sort of pusher of liberal propaganda, I think the evidence often goes the other way. In this instance, it is the almost complete lack of queer youth characters on film.
Let's be frank, all companies that make movies exist to make money. It does not matter if it is an independent company or one of the big mainstream conglomerates, they only exist for the purpose of making a profit. However, I do not see ticket sales being an issue here. Why? Because Hollywood markets and makes most of it's movies off of teens, who all things considered, are probably much less likely to shun a movie with queer content. Furthermore, if studios are worried about offending homophobic groups so much, I would like to point out that the resulting controversy and protests are probably more likely to boost ticket sales, than to drive people away. In fact, I would bet that the more authority figures that will tell a teenager not to see a movie or film, the more likely that teen will go the extra mile to seek them out. It's also worth noting the success of crap like the The Da Vinci Code, which was was widely protested by the Catholic League when it was released? (Although to be fair, I never saw it after having read the god awful Dan Brown novel it was based upon).
Nope, what I think are the driving force behind this glaring absence is simply cowardice. There is no reason, financial or otherwise, that should cause producers to shy away from
There is another matter that makes this even more distressing. In the past year, the issue of suicide among queer youth has been brought to the national spotlight. While I would not argue that the lack of queer youth characters on film or in books is the driving force behind the disproportionaly high suicide rate among LGBTQIA youth, I cannot imagine that it helps. In fact, a lack of general media portrayals will only help to further the impression that being GLBTQIA is abnormal and therefore heighten feelings of isolation amongst queer youth. This in turn, can only worsen an already serious problem. What makes this situation further depressing is that is only likely to get worse. The tepid trickle that exists now will probably come to a complete stop as the last gasps of independent cinema, which has been slowly strangled over the past decade, are breathed.
Subscribe to:
Posts (Atom)